A personal film journalToronto, Canada   /   Est. 2025

A LIFE
IN CINEMA.

Some films end.
Others never really leave you.

A collection of those films, the thoughts they leave behind, and a lifelong obsession with the big screen.

Enter the journal
Daniel Plainview watches an oil derrick burn in There Will Be Blood
THE FILMS THAT STAYFRAME 001
A permanent residentThere Will Be BloodPaul Thomas Anderson · 2007
✳ Independently watched. Personally felt.Scroll to explore
3,960Films watched
3,352Considered ratings
404Written reviews
110Five-star ratings

A snapshot of a taste
that keeps evolving.As of 26 October 2026

01 The journal

AFTER THE CREDITS.

The feeling first. Then the filmmaking.
Selected notes, exactly as I wrote them.

Opening the journal…

Browse all reviews
02 The personal canon

THE ONES
THAT STAY.

The films I carry with me. Different lists for different kinds of love.

A favourite and the most accomplished film aren’t always the same choice. There’s room for both.

Personal lists from my Letterboxd.
Always open to another rewatch.
03 On the stars

FIVE STARS
SHOULD MEAN SOMETHING.

A good film is still a good film. The higher the rating, the harder it has to earn it.

The masterpiece

The highest bar.

A complete work of cinema that stays with me. A rating reserved for the films I consider masterpieces.

04 The collection

FOLLOW YOUR CURIOSITY.

A few thousand films. Every rating is personal.
Find your next conversation starter.

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05 Behind the journal

AYIMAN TAREK.
ALWAYS WATCHING.

Film analyst. Toronto cinephile.
A familiar face in the cinema.

From Kurosawa and Bergman to Nolan and Indian cinema, I’m interested in what a film makes you feel, and the choices that make that feeling possible.

This journal is a home for my reviews, the films I return to, and a taste that keeps changing. Preferably experienced on the biggest screen I can find, with a particular weakness for 35mm, 70mm and IMAX.

Find me on Letterboxd